Home › Forums › Windstone Editions › Ask Melody › What's the deal with Eggs?
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March 29, 2009 at 1:39 am #497882March 29, 2009 at 1:39 am #758421
I’m sure it’s been asked before, but I’m still a little new in the world of Windstone. Alot of your sculptures are of hatching critters. Any particular reason why?
March 30, 2009 at 6:00 am #758422‘Cause they’re cute? 😛
March 30, 2009 at 4:33 pm #758423Agreed 😀 😛 !!
But I was wondering if they had a special meaning for Melody.April 2, 2009 at 7:08 pm #758424purpleturtle wrote:I’m sure it’s been asked before, but I’m still a little new in the world of Windstone. Alot of your sculptures are of hatching critters. Any particular reason why?
I found that people liked hatching things! Having a creature hatching is a good way to have a “story’ in a piece, a weird little enthusiastic creature breaching through a barrier also has a metaphorical meaning of change and rebirth. Smooth eggshell is a nice change in texture and color as well as a place to do a little non-objective abstract work (the shell cracks). However the mold and casting department finds them to be a pain in the bum, and honestly, they are really REALLY tough to paint! For this reason I doubt I will be doing more of them.
April 2, 2009 at 7:20 pm #758425And here’s me thinking they were only a pain in the bum for the poor mamma dragon XD
Does that mean no more new hatching sculptures or no more painting of the existing hatchers ?April 3, 2009 at 1:10 am #758426My first Windstone pieces were Hatching Dragon, Hatching Maiasaur ( one of my favorites) and Hatching Protoceratops ( that little guy gets around ) …. I really wish we could see more Dinos at some point… 🙂
April 4, 2009 at 7:37 pm #758427sapphire wrote:And here’s me thinking they were only a pain in the bum for the poor mamma dragon XD
Does that mean no more new hatching sculptures or no more painting of the existing hatchers ?I am campaigning hard to retire the little hatching dragons. The larger hatching dragons could be made as special peices, but I don’t ever want to do them in production again!
We will keep doing the hatching pegasus though, he isn’t too terrible to cast.
I do want to do hatching llamas thought.. so, we’ll still be making a few more hatchers. Then there’s the hatching phoenix…oy.April 4, 2009 at 11:00 pm #758428What makes the hatchers so difficult to cast/paint & which piece(s) were the most difficult to cast & which were the most difficult to paint ? How far along in producing a piece have you got only to find there was a problem & had to totally give up on it ?
April 5, 2009 at 9:31 pm #758429sapphire wrote:What makes the hatchers so difficult to cast/paint & which piece(s) were the most difficult to cast & which were the most difficult to paint ? How far along in producing a piece have you got only to find there was a problem & had to totally give up on it ?
The very perfect round eggs like the royal dragons are the hardest. Every tiny defect shows, from casting to finish coat. They are hard to cast because of the shape of the egg. Picture the egg mold made of soft, floppy rubber trying to stay put, upside-down inside a plaster case as it gets filled with liquid gypsum. The opening ( which would be the bottom of the finished piece) of the round egg mold tends to collapse into the case. This causes the egg shape to “belly out” on the lower curve of the right-side-up egg casting. This is less of a problem when the rubber molds are new, because they haven’t yet shrunk, and so fit the cases better. So, in order to get perfect eggs, we have to always make new molds for them.
They are also very difficult to paint. They take allot of fussing with and touching up to keep the edge between the dragon and egg colors neat. We use stencils to cover the egg while we airbrush the dragon, but these stencils don’t always fit perfectly, so there is invariably over spray on the eggshell that needs fixing, and then the stencil can leave marks and scratches on the eggshell. Even getting the solid white eggshell painted evenly is difficult. The little hatching dragon is ok to cast, but terrible to paint because it is so little and has so much paint “edge” area. It needs to be almost entirely hand painted. Hatchers are a real pain.
We have struggled along with the hatchers for years! It takes us forever to give up on something.Sometimes I pull the plug on pieces before they get to production though. I do that allot. Way too much.
The eggs and the Sun dragon are the hardest to cast I think. I am not a caster so I really am not sure which are the very worst, but those were the ones I got the most complaints about.
Any of the pieces where there are sharp color changes are very hard to paint, things such as: Kirins, Mermaids, hatchers and Wizards. The Flions and flapcats with the white wings are tough too. Surprisingly, the other pieces that I find very difficult to paint are the solid colored gargoyles! Getting that stone color on evenly is incredibly tricky!April 5, 2009 at 10:28 pm #758430Speaking of gargoyles….do you think we could see a new one in the future, Melody? Preferably a larger one like the Unicorn and the Gaurdian dragon? Maybe a piece for the store? Pretty pwease? 😀
April 5, 2009 at 11:56 pm #758431It’s to bad that the hatchers are such a pain in the butt to cast – I was really hoping for a hatching griffin chick at some point 😳 .
April 6, 2009 at 6:24 am #758432I’m all for a new big gargoyle. And a hatching griffin chick would be adorable.
April 8, 2009 at 4:47 am #758433Ah, the hatching royalty are some of my favorite pieces; it’s a shame they are so hard to paint. I’d love to see them in Red Fire.
April 10, 2009 at 12:50 am #758434with all the issues around casting and painting, I feel very lucky to have any of the Windstones’ at all!! It does make me curious about the rejected pieces, what were they like and what about them that didn’t pass muster? Too hard to cast? Too hard to paint? Too timeconsuming? I already appreciate the windstones so much, now I feel even more dazzled!! May they live and be loved forever!!! 😀 (and go forth and multiply!!!) 😀
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